In 2008 Rebecca Lenkiewicz became the first living female playwright to have an original play staged on the Olivier stage at the National Theatre (Her Naked Skin). Her quietly powerful and all-seeing new play, written in response to real-life cuts to legal aid, weaves together the stories of ordinary people fighting for their right to justice.
On her one night off this week, lawyer Gail is on a date with a man called Ken. It isn’t going well. All he really wants is some sympathy. All she wants is a bottle of rosé, a little fun, and to forget it all.
But Gail can’t switch off. Not really. Because in a bedroom in Southall a woman is being abused and there’s no one to help her. Up and down the country people are being forced to represent themselves in court. Tomorrow morning an old man will wake up to a different world. Changed. Hated. Invisible.
This production is kindly sponsored by The Law Society.
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Ed Clarke has previously worked at the Bush Theatre on The Royale, The Invisible, Perseverance Drive and Fear.
His other theatre credits include: All We Ever Wanted Was Everything (Middle Child Theatre); A Super Happy Story (About Feeling Super Sad); (Silent Uproar), A Christmas Carol and A Short History Of Tractors In Ukrainian (Hull Truck Theatre); Showboat (New London Theatre); The Infidel (Theatre Royal Stratford East); Orpheus (Little Bulb Theatre at BAC and worldwide); Baddies (Unicorn Theatre); The Realness, Politrix, Phoenix, KnifeEdge and Babylon (The Big House); Beauty and the Beast (Young Vic and worldwide); Danny Boyle’s Frankenstein (Olivier, National Theatre – Olivier Award nomination 2012); Backbeat (Duke of York’s Theatre); The Mysteries and The Good Hope (National Theatre); The Railway Children (Waterloo International Station and Roundhouse Theatre Toronto); Fatal Attraction (Theatre Royal Haymarket); His Teeth (Only Connect Theatre); Baby Doll (Albery Theatre); Alex (Arts Theatre, UK and international tour); Old Times, A Doll’s House (Donmar Warehouse).
Michael Oakley’s most recent credit is directing Caroline Quentin in The Life and Times of Fanny Hill at Bristol Old Vic Theatre. In 2012 he was Co-Artistic Director of Theatre on the Fly – a pop-up venue at Chichester Festival Theatre – where his productions included the acclaimed Playhouse Creatures. Prior to this, he was Trainee Director in Residence at Chichester Festival Theatre, and a recipient of the prestigious JMK Award for young directors.
Rebecca Lenkiewicz is an award-winning writer who, in 2008, was the first living female playwright to have her work produced on the Olivier Stage at the National Theatre, London. Rebecca is currently under commission to Out of Joint Theatre Company, Manhattan Theatre Club, New York, and the National Theatre. Rebecca’s screenplay IDA, co-written with Pawel Pawlikowksi, won Best Foreign Language Film awards at the 2015 Oscars, BAFTAs and Spirit Awards.
Richard Howell’s credits include: Jekyll and Hyde (Old Vic, London); The Homecoming, East is East (Trafalgar Studios for Jamie Lloyd Company); Privacy (Donmar Warehouse & Public Theater, New York); Bad Jews (Theatre Royal Bath, West End & UK Tour); Labyrinth (Hampstead Theatre); Plastic, 4000 Miles, (Ustinov, Bath); The Wild Party (The Other Palace); Breaking The Code, A Doll’s House, Little Shop of Horrors (Manchester Royal Exchange); The Glass Menagerie (Headlong, UK Tour); I See You (Royal Court, Jerwood Theatre Upstairs); Playing For Time (Sheffield Crucible); The Grinning Man, The Crucible, The Life and Times of Fanny Hill (Bristol Old Vic). Il Trittico, Flight, Madame Butterfly, La Fanciulla (Opera Holland Park); Projet Polunin (Sadler’s Wells).
Ruth’s previous theatre credits include The Taming of the Shrew (Royal Shakespeare Company), Hedda Gabler (Royal & Derngate), Kingdom of Earth (The Print Room), Yerma (Gate Theatre and Hull Truck), The Duchess of Malfi (Theatre Royal Northampton), Bronte (Tricycle, and tour) and The Boy on the Swing (Arcola).