You are invited to take tea with the Mad Hatter, Alice and the Dormouse. There will be mad games, mad races, riddles and lots of cake.
The Mad Hatter’s Tea Party menu: a choice of cheese, ham or jam sandwiches, carrots and cucumber sticks with hummus, crisps, juice, fruit, and unbirthday cake (please do email [email protected] with any specific dietary requirements).
Party bags included!
Chris Thompson’s plays include Albion (Bush Theatre) and Carthage (Finborough Theatre). Carthage won a Pearson Playwrighting Award and was nominated for Best New Play and Most Promising New Playwright in the OFFIE awards. Chris was the Channel 4 Playwright in Residence at the Finborough Theatrein 2014. In 2013 he took part in the Kudos / Bush Initiative and the Royal Court invitation studio writers group.
Ella Wahlström is a London-based Sound Designer who trained at Rose Bruford. She was an original sound operator of Complicite’s The Encounter, a Co-Sound Designer of Robert Wilson and Mikhail Baryshnikov’s Letter to a Man and the Sound Designer of Esa-Pekka Salonen’s cello concerto.
Her theatre sound design credits include: Peter Pan Goes Wrong (Mischief, West End), No Place for a Woman (Theatre 503) Three Generations of Women (Broken Leg Theatre Greenwich Theatre), The Life (English Theatre Frankfurt), The Bunker Trilogy, The Frontier Trilogy and The Capone Trilogy (Jethro Compton, Edinburgh Fringe and international touring), Empty Vessels (Rosemary Branch Theatre), Sirenia (Jethro Compton, Edinburgh Fringe), The Ballad of Robin Hood, Klippies (Southwark Playhouse), In Lambeth (Spellbound Productions, Southwark Playhouse), Chicken Dust (Finborough Theatre), Carroll: Berserk (Spindrift Theatre, Drayton Arms Theatre), A Study in Scarlet (Tacit Theatre, Southwark Playhouse), Titus Andronicus (Hiraeth, Arcola), Romeo and Juliet (Hiraeth, Upstairs at the Gatehouse, Theatre Uncut, Young Vic), The Revenger’s Tragedy and Henry V (Old Red Lion Theatre).
As Associate Sound Designer, her credits include: Othello (Frantic Assembly), JOHN (DV8) and The Cripple of Inishmaan (Noel Coward Theatre).
James Perkins’ theatre design credits include: While We’re Here (Bush Theatre); Sweet Charity and Little Shop of Horrors (Royal Exchange, Manchester); Skylight (Clwyd Theatr Cymru); Pilgrims (Hightide, Clwyd Theatr Cmyru, Yard Theatre); The Last Five Years (New Wolsey Theatre); German Skerries, Jess and Joe (The Orange Tree Theatre), The Gathered Leaves (Park Theatre); Breeders (St James Theatre); Shiver, Lost in Yonkers (Watford Palace Theatre); Ciphers (Bush Theatre/Out Of Joint); 1001 Nights (Unicorn Theatre/Transport Theatre); Liar Liar (Unicorn Theatre); Girl in the Yellow Dress (Salisbury Playhouse); Microcosm (Soho Theatre); Dances of Death (Gate Theatre); The Fantasist’s Waltz (York Theatre Royal); Stockwell (Tricycle Theatre); Carthage, Foxfinder, Events While Guarding The Bofors Gun, Trying (Finborough Theatre); The Only True History of Lizzie Finn, Floyd Collins (Southwark Playhouse); The Marriage of Figaro (Wilton’s Music Hall); The Life of Stuff, Desolate Heaven, Threads, Many Moons (Theatre503); The Hotel Plays (Grange Hotel); St. John’s Night, Saraband (Jermyn Street Theatre); Pirates, Pinafore (Buxton Opera House); Matters of Life and Death (Contemporary Dance UK Tour); Iolanthe, The Way Through The Woods (Pleasance Theatre, London); The Faerie Queen (Lilian Baylis, Sadler’s Wells); The Wonder (BAC). James created Story Whores. He is an associate of Forward Theatre Project and one third of paper/scissors/stone.
Robert Hastie is Artistic Director of Sheffield Theatres. He was born in Scarborough, North Yorkshire.
He most recently directed Julius Caesar, the opening production in his inaugural season at Sheffield Theatres. Previous directing credits include, Breaking the Code (Royal Exchange, Manchester), Henry V (Regent’s Park Open Air Theatre) and Cat on a Hot Tin Roof, the inaugural production in Artistic Director Tamara Harvey’s first season at Theatr Clwyd.
As an Associate Director of the Donmar Warehouse, his work includes My Night With Reg by Kevin Elyot (also West End – Hastie was nominated for Best Newcomer at the Evening Standard Theatre Awards; and the production was nominated for Best Revival at the Olivier Awards), and Splendour, by Abi Morgan. Hastie recently completed the first stage of the Donmar Warehouse’s ten year long My Mark project with Michelle Terry, undertaking and filming interviews in schools nationally to document the views of those eligible to vote for the first time in the 2025 general election. His other directing credits include Carthage, Events While Guarding The Bofors Gun (both Finborough Theatre), Sunburst (Holborn Grange Hotel), Sixty-Six Books: In The Land Of Uz, Middle Man, David and Goliath, Snow In Sheffield and A Lost Expression (Bush Theatre).
As an actor, his work included productions with the National Theatre, RSC, Chichester Festival Theatre, Glasgow Citizens Theatre, Cheek by Jowl, Frantic Assembly, Northampton Royal & Derngate, Headlong, Birmingham Rep, West Yorkshire Playhouse, Lyric Hammersmith, Derby Playhouse, Playful Productions, Liverpool Playhouse, as well as the Crucible Theatre, Sheffield.
Credits as Casting Director include Persuasion (2022 production: Rose Theatre/Alexandra Palace/Oxford Playhouse); Rockets and Blue Lights (National Theatre & Royal Exchange Theatre, Manchester); Hobson’s Choice, Mother Courage and Her Children, Breaking the Code (Royal Exchange Theatre, Manchester); Coriolanus, Rutherford and Son, Desire Under the Elms (Crucible Theatre, Sheffield); Of Kith and Kin (Crucible Theatre, Sheffield/Bush Theatre); A Midsummer Night’s Dream (Open Air Theatre, Regent’s Park); LIT (Nottingham Playhouse/HighTide Festival); The Box of Delights (Wilton’s Music Hall, 2017 & 2018); Wonderland (2018 run); Holes (Nottingham Playhouse, alongside Sarah Bird CDG); I Want My Hat Back (National Theatre); Run the Beast Down (Finborough Theatre); Henry IV (Donmar Warehouse/St Ann’s Warehouse); House/ Amongst the Reeds (Clean Break).
Credits as Co-Casting Director include Gypsy, Macbeth, The Producers, Death of a Salesman, Queen Margaret, The Almighty Sometimes, Guys and Dolls, Our Town, Persuasion and Twelfth Night (Royal Exchange Theatre, Manchester); Parliament Square (Royal Exchange Theatre, Manchester/Bush Theatre); The Resistible Rise of Arturo Ui and Versailles (Donmar Warehouse); Shakespeare Trilogy (Donmar Warehouse/St Ann’s Warehouse) and Dedication (Nuffield Southampton Theatres).
