Claire Lams (Nadia) in 'Rust' at the Bush Theatre © Helen Murray
Nadia and Daniel have a secret. In fact they have quite a few. They’ve just signed on the dotted line for a studio flat. Under a pseudonym, naturally – Mr and Mrs White. After years of school pick-ups, TV takeaways, and the day to day drudgery of married life, this is their chance to wipe the slate clean. But as much as they try and redefine the rules, and themselves, the outside world is closing in.
Ultra-contemporary, sexy and funny, Rust pushes the boundaries of trust, love and lust to the limit.
Terrorism, an earlier version of this play was produced by the Bush Theatre and HighTide in 2016 as part of This Place We Know.
David Gregory is Sound Designer for One Cold Dark Night, Terrorism, Nobody’s Listening
David trained at the Central School of Speech of Drama and was nominated for Off West End Sound Designer of the Year, 2010 for The Wages of Thin at the Old Red Lion.Recent sound design credits include: Rise (Old Vic New Voices), Stalking the Bogeyman (Southwark Playhouse), Queens of Syria (Young Vic), Luce (Southwark Playhouse), Romeo and Juliet (Watermill Theatre), Alice in Wonderland (Watermill Theatre),When We Were Women (Orange Tree Theatre), Brenda (HighTide), The Dogs of War (Old Red Lion), These Trees Are Made Of Blood (Southwark Playhouse), The Secret Adversary (Watermill), Contact.com (Park Theatre), But First This (Watermill), Next Fall (Southwark Playhouse), National Youth Theatre Rep Season (NYT), Housed (Old Vic New Voices), Waiting for Godot (Arcola Theatre), Red Forest (Young Vic/Belarus Free Theatre), Eldorado (Arcola Theatre/Mongrel Thumb).
Kenny Emson is an award-winning playwright and screenwriter. His plays include Quadrophenia (Mercury Theatre), Parkway Dreams (Sir John Mills Theatre) Terrorism (Bush Theatre), This Must be the Place (Vault Festival – co-written with Brad Birch) andPlastic (Old Red Lion). He was co-creator, co-writer and associate producer on the BAFTA Craft, SXSW and Prix Italia nominated The Last Hours of Laura K and adapted Agatha Christie’s The Coming of Mister Quin which was nominated for a BAFTA CYMRU games award. He has written for EastEnders, Doctors, BBC Radio 3 and 4 and has been shortlisted for the Bruntwood, Red Planet and Papatango Prizes as well as winning the Adrienne Benham, Off West End Adopt a Playwright and Mercury/Weinberger Playwriting awards.
Max Johns trained in theatre design at Bristol Old Vic Theatre School and was the recipient of a BBC Performing Arts Fellowship in 2015. Prior to this he worked for a number of years as a designer in Germany. His most recent UK productions include The Climbers (Theatre by the Lake), The Strange Undoing of Prudencia Hart (Manchester Royal Exchange), Once Upon a Time in Nazi Occupied Tunisia (Almeida), King John (RSC), The Panopticon (National Theatre Scotland), Overflow, Strange Fruit and Rust (Bush Theatre), Heartbreakin’ (WLB Esslingen, Germany), Buggy Baby (Yard), Yellowman (Young Vic), The Half God of Rainfall (Kiln/Birmingham Rep/Fuel), Urinetown (Central School of Speech and Drama), Wendy and Peter Pan (Royal Lyceum Edinburgh), Kes and Random (Leeds Playhouse), Utility and Twelfth Night (Orange Tree), Fidelio (London Philharmonic Orchestra), Enron and Our Town (the Egg), Birthmarked, Life Raft, Medusa, The Light Burns Blue and Under a Cardboard Sea (Bristol Old Vic), and Hamlet and All’s Well That Ends Well (Shakespeare at the Tobacco Factory). Upcoming productions include Sound of the Underground (Royal Court).
Theatre credits include: Sweeney Todd; Othello; Paint Your Wagon; Clockwork Orange; The Big I Am; A Midsummer Night’s Dream (Liverpool Everyman); One Night In Miami; Wonderland (remount); Shebeen (Nottingham Playhouse); Songlines (HighTide); An Octoroon (Orange Tree Theatre / National Theatre); Blood Knot; The March On Russia (Orange Tree Theatre); The Crucible; Buggy Baby; This Beautiful Future (Yard Theatre); Big Aftermath of a Small Disclosure; Winter Solstice (Actors Touring Company); The Claim (Shoreditch Town Hall & National Tour); All The President’s Men?; Pomona (additional casting) (National Theatre); Death Of A Salesman (Royal and Derngate / Tour); Wish List; Yen (Royal Court and Royal Exchange Manchester); A Streetcar Named Desire (co-casting director, Royal Exchange Manchester); Bird (Sherman Cymru & Royal Exchange Manchester); Britannia Waves the Rules (Tour); Billy Liar (Royal Exchange Manchester); My Mother Said I Never Should (St James Theatre); The Crocodile (Manchester International Festival).
Casting Director TV credits include: Call The Midwife (Series 9); Doctors (BBC).
Casting Associate and Assistant TV credits include: Howards End; Delicious (two series); Rillington Place; Thirteen; Call the Midwife (five series); Silent Witness (two series); The Game; Esio Trot; Mr Stink; WPC56; The Preston Passion; The Night Watch; Holby City (four series); The Riots: In Their Own Words; Undeniable.
Film credits include: The Secret Agent; Whirlpool; A Street Cat Named Bob (as Casting Associate).
Sophie was recently nominated for ‘Best Casting in a Theatre Production’ at the Casting Directors’ Guild Awards for An Octoroon (Orange Tree Theatre / National Theatre).
